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Museology --- Panel painting, Flemish --- Panel painting --- -Panel painting --- -Marks of origin --- -Geographical indications (Marks of origin) --- Origin, Marks of --- Identification --- Painting --- Flemish panel painting --- Catalogs. --- Catalogs --- Expertising --- -Panel painting, Flemish --- -Catalogs. --- -Museology --- Geographical indications (Marks of origin) --- Marks of origin --- tafereelmakersmerk

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Hoe is het heelal ontstaan? Zal het ooit eindigen? De kosmos en de plaats van de mens in het heelal fascineren ons al duizenden jaren. De immense vraagstukken inspireren wetenschappers en prikkelen net zo goed de fantasie van kunstenaars. Dit unieke boek brengt wetenschappers en beeldende kunstenaars samen. Het biedt een magistrale kijk op de verbeelding van het universum vanaf het neolithicum tot vandaag. Tientallen verbluffende moderne en hedendaagse kunstwerken gaan daarnaast in dialoog met de bigbangtheorie in haar diverse vormen. Professor Georges Lemaître lanceerde zijn revolutionaire inzichten over de oerknal in 1931 aan de Leuvense universiteit en zette zo de wereld op zijn kop. Anno 2021 zijn onze ideeën over de big bang en de kosmos nog altijd in evolutie, maar de verwondering en het verlangen om vorm te geven aan wat we niet helemaal kunnen doorgronden blijven onveranderd.De publicatie verschijnt naar aanleiding van twee tentoonstellingen die georganiseerd worden in het kader van 'KNAL! Stadsfestival van de Big Bang' in Leuven van 15 oktober 2021 tot 30 januari 2022. Verbeelding van het universum is een cultuurhistorische tentoonstelling in M Leuven. Voorbij de oerknal in de Leuvense Universiteitsbibliotheek is een expo op het snijvlak van wetenschappen enerzijds en moderne en actuele beeldende kunst anderzijds.Met verhelderende teksten van onder anderen Barbara Baert, Abdelkader Benali, Thomas Hertog, Hannah Redler Hawes, Jan Van der Stock en Annelies Vogels. Barbara Baert is als hoogleraar verbonden aan de vakgroep kunstwetenschappen van de KU Leuven.Thomas Hertog is theoretisch natuurkundige en hoogleraar aan de KU Leuven. Hij werkte nauw samen met Stephen Hawking.Bron : https://www.standaardboekhandel.be/p/big-bang-9789463887861

Cosmology --- History of physics --- Iconography --- cosmology --- iconography --- 378.4 <493 LEUVEN> --- Universiteiten--België--LEUVEN --- Cosmology in art --- Cosmology in art. --- Cosmology in literature --- Cosmology in literature. --- kunst --- 7.03 --- astrofysica --- astronomie --- kosmologie --- kunst en wetenschap --- wetenschap --- eenentwintigste eeuw --- 113/119 --- 213 --- 524.85 --- 524.85 Origin and formation of the Universe. Big Bang. Steady State --- Origin and formation of the Universe. Big Bang. Steady State --- 213 Creation du monde. Evolution. Emanation. Eternite du monde --- 213 Schepping. Emanatisme. Evolutionisme. Creationisme. Eeuwigheid van de wereld --- Creation du monde. Evolution. Emanation. Eternite du monde --- Schepping. Emanatisme. Evolutionisme. Creationisme. Eeuwigheid van de wereld --- 113/119 Kosmologie. Natuurfilosofie. Filosofie van de natuur --- Kosmologie. Natuurfilosofie. Filosofie van de natuur --- Illustratie --- Fantasie --- Kunst --- Kosmografie --- Heelal --- Wetenschap --- Academic collection

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Deux volumes des 'Nugae' seront consacrés à la thèse de Renaud Adam. Le premier livre est un historique détaillé de l'introduction de l'art typographique dans les Pays-Bas méridionaux et de son évolution jusqu'en 1520, complété par un dictionnaire prosopographique. Le second livre répond à la question: comment les premiers imprimeurs se sont-ils intégrés au tissu socio-économique des Pays-Bas méridionaux et de la principauté de Liège au tournant des XVe et XVIe siècles. Cette étude a été structurée autour de deux axes. Les regards se sont portés sur le métier d'imprimeur avec des questionnements centrés sur le statut juridique et l'organisation de cette profession, sur le fonctionnement interne d'une imprimerie ainsi que sur la commercialisation des livres et le profil de la clientèle. Les résultats de la dernière partie sont le fruit d'une investigation dans la composition de la communauté typographique et d'une tentative de décorticage des trames réticulaires nouées avec les autres acteurs de la société urbaine.

378.4 <493 LEUVEN> --- 094.1 <493> --- 655.11 --- 655.15 <493> --- 655.15 <493> Drukkerij en verwante ondernemingen: organisatie; gebruiken; beroepsvereniging--België --- 655.15 <493> Printing houses, presses and related businesses--België --- Drukkerij en verwante ondernemingen: organisatie; gebruiken; beroepsvereniging--België --- Printing houses, presses and related businesses--België --- 655.11 Boekdrukkunst: ontstaan--algemeen --- 655.11 History of printing. Discovery of book-printing techniques --- Boekdrukkunst: ontstaan--algemeen --- History of printing. Discovery of book-printing techniques --- 094.1 <493> Oude drukken: bibliografie----Europa--België --- Oude drukken: bibliografie----Europa--België --- Universiteiten--België--LEUVEN --- Printing --- Publishers and publishing --- History --- Origin and antecedents --- Book history --- History of the Low Countries --- studios [work spaces] --- privileges [permissions] --- bookselling --- book history --- printers [people] --- anno 1400-1499 --- anno 1500-1599 --- Printing - Netherlands - History --- Printing - Netherlands - Biography - Dictionaries --- Histoire du livre --- Édition --- Histoire --- Biographie --- Pays-Bas --- Typographie --- Pays-Bas bourguignons --- Pays-Bas espagnols --- Imprimerie --- Imprimeurs --- Livres --- Industrie et commerce

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Melancholy is not only about sadness, despair, and loss. As Renaissance artists and philosophers acknowledged long ago, it can engender a certain kind of creativity born from a deep awareness of the mutability of life and the inevitable cycle of birth and death. Drawing on psychoanalysis, philosophy, and the intellectual history of the history of art, The Melancholy Art explores the unique connections between melancholy and the art historian's craft. Though the objects art historians study are materially present in our world, the worlds from which they come are forever lost to time. In this eloquent and inspiring book, Michael Ann Holly traces how this disjunction courses through the history of art and shows how it can give rise to melancholic sentiments in historians who write about art. She confronts pivotal and vexing questions in her discipline: Why do art historians write in the first place? What kinds of psychic exchanges occur between art objects and those who write about them? What institutional and personal needs does art history serve? What is lost in historical writing about art? The Melancholy Art looks at how melancholy suffuses the work of some of the twentieth century's most powerful and poetic writers on the history of art, including Alois Riegl, Franz Wickhoff, Adrian Stokes, Michael Baxandall, Meyer Schapiro, and Jacques Derrida. A disarmingly personal meditation by one of our most distinguished art historians, this book explains why to write about art is to share in a kind of intertwined pleasure and loss that is the very essence of melancholy. Some images inside the book are unavailable due to digital copyright restrictions.

Art --- History as a science --- Affective and dynamic functions --- Melancholy. --- Mélancolie --- Historiography. --- Historiographie --- Melancholy --- Historiography --- Art - Historiography. --- Visual Arts --- Art, Architecture & Applied Arts --- Visual Arts - General --- Mélancolie --- Dejection --- Emotions --- Depression, Mental --- Sadness --- Art - Historiography --- Aby Warburg. --- Aestheticism. --- Aesthetics. --- Allegory. --- Alois Riegl. --- Anachronism. --- Analytic confidence. --- Ancient art. --- Aphorism. --- Art criticism. --- Art history. --- Arthur Schopenhauer. --- Artistic merit. --- Ben Nicholson. --- Bernard Berenson. --- Bernard Bosanquet (philosopher). --- Beyond the Pleasure Principle. --- Caspar David Friedrich. --- Christopher Bollas. --- Classicism. --- Connoisseur. --- Consciousness. --- Contemporary art. --- Criticism. --- Critique of Judgment. --- Death drive. --- Deconstruction. --- Ernst Gombrich. --- Erwin Panofsky. --- Explanation. --- Fra Angelico. --- Friedrich Nietzsche. --- Fritz Saxl. --- Garry Wills. --- Georg Wilhelm Friedrich Hegel. --- George Steiner. --- Giovanni Morelli. --- Hannah Arendt. --- Hans Ulrich Gumbrecht. --- Hayden White. --- Iconography. --- Illusionism (art). --- Isabella Stewart Gardner Museum. --- Jacques Derrida. --- Jacques Lacan. --- Jacques-Alain Miller. --- James Strachey. --- Jan van Eyck. --- Johann Joachim Winckelmann. --- Josef Strzygowski. --- Julia Kristeva. --- Linguistic turn. --- Literary theory. --- Marion Milner. --- Marsilio Ficino. --- Martin Heidegger. --- Maurice Blanchot. --- Melanie Klein. --- Metahistory. --- Metonymy. --- Meyer Schapiro. --- Michael Baxandall. --- Minima Moralia. --- Modernism. --- Modernity. --- Museum. --- Oceanic feeling. --- Oskar Kokoschka. --- Overpainting. --- Paul de Man. --- Petrarch. --- Philosopher. --- Philosophy. --- Positivism. --- Post-structuralism. --- Postmodernism. --- Psychoanalysis. --- Putto. --- Rainer Maria Rilke. --- Renaissance art. --- Rhetoric. --- Richard Wollheim. --- Romanticism. --- Saint Francis Receiving the Stigmata (van Eyck). --- Sandro Botticelli. --- Simone Martini. --- Svetlana Alpers. --- The Art of Memory. --- The Gaze of Orpheus. --- The Origin of German Tragic Drama. --- The Philosopher. --- Theses on the Philosophy of History. --- Thought. --- Tintoretto. --- Unthought known. --- W. G. Sebald. --- Walter Benjamin. --- Walter Pater. --- Work of art. --- Writing.